Michael Honeyman

Baritone

Michael Honeyman

A graduate of both the Australian National University Canberra and the Australian Opera Studio Perth, Michael Honeyman began his career singing roles such as Lescaut (Manon), Eisenstein (Die Fledermaus), Peter (Hansel and Gretel), Raul St. Brioche (The Merry Widow), Publio (La Clemenza di Tito), Nardo (La Finta Giardiniera), Macheath (The Threepenny Opera), Sam (Trouble in Tahiti), and Salieri (Mozart and Salieri).

In the 2020 – 2021 seasons Michael was heard as Giorgio Germont in La Traviata for Handa Opera on Sydney Harbour, Amonasro (Aida) in Melbourne and as Valentin (Faust) for Opera Australia. He was also to be heard as Duke Alfonso (Lucrezia Borgia), Amonasro in both Sydney and Brisbane and was engaged to cover the four villains in The Tales of Hoffmann, all also for Opera Australia. On the concert platform he was to be heard in Brahms Requiem with the Sydney Symphony Orchestra under David Robertson, Beethoven Symphony No.9 with Queensland Symphony Orchestra, under the baton of Simone Young and Mahler Symphony No.8 with the Melbourne Symphony Orchestra and Sir Andrew Davis in the Margaret Court Arena.

This year his return to Opera Australia includes the role of Sharpless (Madama Butterfly) in the Sydney winter season. Michael also features with Opera Queensland in their production of “The Sopranos”.

Since performing his first Verdi role, Amonasro (Aida), for which he subsequently received a Green Room Award nomination for Best Male in a Supporting Role (2013), Michael has now gained a reputation as a specialist in the dramatic baritone roles of Verdi and Puccini.

For Opera Australia Michael’s leading roles include the title role of King Roger in Sydney and Melbourne, for which he received the Green Room Award for Male Lead in an Opera and a nomination for a Helpmann Award for Best Male Performer in an Opera and the title role in Wozzeck (Berg) for which he received a Helpmann Award in the category of Best Male Performer in an Opera in 2019.

He has also performed the title role in Simon Boccanegra, Miller (Luisa Miller), Escamillo (Carmen), Ford (Falstaff), Di Luna (Il Trovatore), Sharpless (Madama Butterfly), Donner (Das Rheingold), Sciarrone (Tosca) Ortel (Die Meistersigner von Nürnberg), Amfortas in a concert performance of Parsifal, Amonasro in Aida at Opera on the Beach and at Handa Opera on Sydney Harbour and appeared as a soloist in Opera Australia’s New Year’s Eve Gala.

Significant roles he has covered for Opera Australia include Scarpia (Tosca), Kothner (Die Meistersigner von Nürnberg), Don Carlo (La Forza del Destino), Iago (Otello), and Giorgio Germont (La Traviata), Carlo Gerard (Andrea Chenier) and Valentin (Faust).

Michael’s debut with Sydney Symphony Orchestra was as Ned Keene (Peter Grimes) which he also performed for Brisbane Festival. He has also worked with both West Australian Opera and State Opera of South Australia and performed in Beethoven’s 9th Symphony as part of the 40th birthday celebrations of the Sydney Opera House.

Equally at home on the concert platform, he recently performed Elijah with the Sydney Philharmonia. His concert repertoire also includes Mozart Requiem and Mass in C Minor, Handel Messiah, Rachmaninov Vespers, and recitals for ArtSong Perth and ABC FM radio. In 2013 Michael was presented with the Australian Opera Auditions Committee Dame Joan Sutherland Scholarship, which enabled him to travel to New York, receiving instruction from leading opera conductors, teachers, and coaches, associated with The Metropolitan Opera.

#Related

Queensland Symphony Orchestra respectfully acknowledges the Traditional Owners and Custodians of the land on which the Orchestra works, plays, and creates music, and we pay our respects to Elders past, present and emerging.